Gideon the Ninth

Paperback, 448 pages

Published Aug. 6, 2019 by Tor.com.

ISBN:
978-1-250-31319-5
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4 stars (4 reviews)

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy.

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their …

5 editions

Good?

3 stars

Runs on Rule of Cool, nothing strictly makes sense, but that's ok. I feel like this is the apex of a certain genre of young adult novels - the ones with factions and theming and everything. It's really well-written and having fun with it.

Refreshingly free of hetero plots.

Shallow, or at least nothing in it to interest me specifically. I will not be prioritizing the sequels.

The only horror-genre novel I've ever liked?

No rating

I'm not into horror. Period. Don't like to read it, don't like to watch it. Don't even really like to hear it talked about. But this was a good ride, engaging, with profoundly beautiful visual description. It managed to be quite long and complex, and yet still relatively simple too. It turned cliches about and brought them back with something new.

reviewed Gideon the Ninth by Tamsyn Muir

dark fantasy for the jaded millennial

4 stars

I loved the characters in this book. Enough so that I greatly look forward to the next in the series. I did find the story structure telling a little light, and it often reminded me of epic adult Scooby Doo. It's a hybrid of the jaded millennial reluctantly participating in society (but on their own terms) and a Shakespeare-ian 5-act play, where the protagonist forms a band who tries to unmask the monster clue by clue. The telling was still lots of fun. I guess it just felt like it couldn't decide if it was quirky pop comedy or something deeper.