Babel

Babel kommt mit einer spannenden Prämisse. Das Buch spielt in England des 19. Jahrhunderts einer alternativen Zeit und eine der stärksten Treiber für Innovationen sind "magische" Silberbarren. So fand man heraus, dass über Linguistik und Gravuren von verwandten Wörtern in unterschiedlichen Sprachen die Barren die Realität verändern können.

Das Buch folgt Robin Swift, einem chinesischen Jungen, der von Professor Lovell mit nach England genommen wird, nachdem seine Familie an Cholera starb und fast er selbst auch. Die Geschichte verfolgt seine Vorbereitung auf Oxford, das Zentrum des Wissens und Heimat des königlichen Instituts der Übersetzungen.

Robin lernt Freunde kennen, aber auch immer weiter die Zahnräder der Welt wie z.B. die Auswirkungen des Kolonialismus und Kapitalismus.

Besonders gefallen hat mir der Schreibstil. Er erzählt die Geschichte spannend, aber vermittelte mir auch leicht den akademischen Charakter. So gibt es kurze Erklärungen zu Wortpaaren, Fußnoten und Echtwelt-Einspielungen. Durch die Augen von Robin lernen wir die Vorzüge und gleichzeitig den Horror von Wohlstand des 19. Jahrhunderts kennen. Ich denke, die Aussage von Rebecca Roanhorse "A Masterpiece" ist nicht unbedingt übertrieben.

Ich hab noch Yellowface auf meiner Leseliste, aber bin nun auch gespannt auf weitere Romane der Autorin. :-)

A story about what makes an empire run is thrilling, although not surprising. Babel is a fantasy novel you can totally apply to the real world. Money, (modern) colonialism and slavery, wars ... all the tools of economic power. I also loved to learn about etymology and language in general. As one who reads a lot and loves to read it doesn't come as a huge surprise that magic lies in words.

The reason for my mediocre rating is the book itself. I like the way she writes but she uses a ton of footnotes. Some of them necessary, most of them not. those would have fitted in one way or another in the text itself. For me, the footnotes hindered the flow of reading so it was really hard - especially in the beginning of the book - to get "into the zone".

Especially the ebook version is awful since you are jumping back and forth. For that I preferred the paperback since it made it easier to stick to it.

It's a pity that the book only got interesting during the last third.

This memorable novel is both ingeniously creative and importantly timely in its message. R.F. Kuang weaves together a story that injects magical realism into a novel that is both historical and revisionist. That is, this is a story that asks us to imagine the road not taken at a certain time in history, and the ethics of the decisions of those in power–and question how and why such power came to be, in the first place.

I felt that the characters were well-developed and realistically complex, making it possible for the reader to feel the emotion in their stories. The plot was also well crafted and paced.

Instead of summarizing the plot, I want to simply recommend this novel, which I knew nothing about before I started reading. Part of the magic, for me, was simply reading on to discover the shape of the world as it is created by this author.

Bravo!

It was good, really good. The characters were interesting and three dimensional and enjoyable, the setting and plot was engaging and high stakes, and the translation lectures were tailor made for language nerds like me.

However, don’t do like I did and go into this expecting a fantasy novel. This is, mostly, historical fiction with a magic system reskinning technological progress in Victorian England.

This is not a knock on it, though, saying that it’s superfluous; it has a very interesting, if specific effect on the reader’s relationship with the world. It moves all of the varied goods and services that imperial Britain used to maintain power over their colonies into one spot and one profession: Oxford translators. As I see it, the silver magic system mostly exists to move the political center of Britain into this area. And I enjoyed it if only for this facet, if not for all the other symbolism it brings to the table.

However, I think it’s easy to be misled as a reader, that you will be seeing imaginative “what if?”s that are the bread and butter of alternate history fantasy novels.

To sum up, I recommend giving this novel a try if you are at all interested in Victorian England, in translation/linguistics, or just enjoy a really good, tragic, character driven story.